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Puente's youngest son, Tito Puente Jr., has performed and recorded many of Puente's songs. His daughter Audrey Puente is a television meteorologist for WNYW and WWOR-TV in New York City. After a show in Puerto Rico on May 31, 2000, Puente suffered a massive heart attack and was flown to New York City for surgery to repair a heart valve , but ...
John Rodríguez Jr. (September 11, 1945 – August 17, 2024), better known as Johnny "Dandy" Rodríguez, was an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fe.
[6] [7] Sergio Calzado's brother, Rudy, is the lead singer in Puente's recording. Puente himself recorded "Oye Cómo Va" live on many occasions, including his 1980 Montreux Jazz Festival appearance with the Latin Percussion Jazz Ensemble. The lineup in the original recording was the following: [8] Tito Puente: timbales, chorus, leader
In 1948, the Palladium Ballroom gained in stature because of the Big Three acts: Tito Puente, Tito Rodríguez, and Machito.The careers of the Big Three expanded on the strength of their bookings there.
The Mambo Kings is the soundtrack to the 1992 film of the same name, based on Oscar Hijuelos's Pulitzer Prize-winning novel The Mambo Kings Play Songs of Love.Artists featured on the album include Tito Puente, Celia Cruz, Benny Moré, Arturo Sandoval, Linda Ronstadt and Los Lobos.
On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. It was in 1958, while playing for Puente, that Barretto received his first recording credit. [4]
Edward James Olmos has partnered with Tito Puente's family to bring the story of the legendary musician to the world in a series of projects, including film, television and VR content. Known as ...
Mambo Birdland is a live album by the American musician Tito Puente. [2] [3] It was released in 1999.[4]The album won a Grammy Award for "Best Traditional Tropical Latin Performance"; it was Puente's fifth Grammy.
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