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In 1944, catalogued as Bicycle Seat, the sculpture was displayed at the Salon d'Automne in Paris together with another 78 works. Visitors were shocked by Picasso's new works and a demonstration took place, during which Bicycle Seat was one of the pieces removed from the wall. [3]
(Note: Some art historians consider only the un-altered manufactured objects to be readymades. This list includes the pieces he altered or constructed.) Bottle Rack (also called Bottle Dryer or Hedgehog) (Egouttoir or Porte-bouteilles or Hérisson), 1914. A galvanized iron bottle drying rack that Duchamp bought in 1914 as an "already made ...
The Butterfly Trek Madone, an artwork utilizing a bicycle by Damien Hirst, became the world's most expensive bicycle when it was bought at auction for $500,000. [1] It was designed by Hirst, who used real butterfly wings that were placed onto the actual frame and wheels of the bicycle. [1]
Schwinn tji-wara (2002) at the Walter E. Washington Convention Center in Washington, DC. Cole is best known for assembling and transforming ordinary domestic and used objects such as irons, ironing boards, high-heeled shoes, hair dryers, bicycle parts, wooden matches, lawn jockeys, and other discarded appliances and hardware, into imaginative and powerful works of art and installations.
In February 1960, Museum of Modern Art curator for painting and sculpture Peter Selz commissioned artist Jean Tinguely to make a self-destructing machine to perform in the museum's sculpture garden. Tinguely found its components among scraps, junk, garbage dumps , and shops in New Jersey and New York City .
The sculpture is part of the City of Portland and Multnomah County Public Art Collection, courtesy of the Regional Arts & Culture Council, which commissioned the work with funds from the Portland Department of Transportation. The collaboration between the two groups was occasioned by the "Art on the Streets" program set up by Mayor Sam Adams.
Notre Dame sculpture teacher Keith Kaziak returns to his hometown of Wausau to install "Passage." The Rotary Club commissioned the public art piece.
The final Sensational Alex Harvey Band studio album, 1978's Rock Drill, was named after and influenced by the sculpture. Its cover depicts the Torso. In September 2006, Tate Modern asked a number of contemporary musicians to compose music about a piece of their choosing from the gallery's collection, under the project name Tate Tracks.
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