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"Everywhere" is a song written by Mike Reid and Craig Wiseman, and recorded by American country music singer Tim McGraw. It was released in July 1997 as the second single from his album of the same name .
He plays acoustic guitar on the majority of the tracks, changing to electric guitar for three songs: "Wah-Wah", "Hear Me Lord" and "Nowhere to Go". [ nb 2 ] The performances heighten the folk aspect of Harrison's songwriting and contrast with the large-scale arrangements and Wall of Sound production employed on much of the official album. [ 14 ]
"Here, There and Everywhere" Lennon–McCartney Arranged by Cam Mullins [169] 1975 with The Nashville Sounds [149] "He's Got the Whole World in His Hands" Traditional Gospel song adapted by Geoff Love: 1958 [15] with Mitchell Ayres Orchestra [170] "He Who Loves" Burt Bacharach: Hal David: 1967 with Nick Perito Orchestra & Ray Charles Singers [171]
[3] This is reflected in lyrics such as "I gotta get away from this day-to-day running around" and "I think I'd like to go back home and take it easy." [2] Music lecturer Ken Bielen interprets the lyrics as suggesting that when the singer obtained what he originally wanted, possibly fame and success, he found them to be "nowhere." [4]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Everybody Gets To Go To The Moon "Words & Music" 1972: Jimmy Webb: Letters "Galveston" "Campo de Encino" "Simile" "Hurt Me Well" "Once in the Morning" "Catharsis" "Song Seller" "When Can Brown Begin" "Piano" Reprise Records 1971: Roberta Flack: Quiet Fire "See You Then" 1972: The Supremes: The Supremes Produced and Arranged by Jimmy Webb "5:30 ...
Everybody Knows This Is Nowhere is the second studio album by Canadian-American musician Neil Young, released in May 1969 on Reprise Records, catalogue number RS 6349.His first with longtime backing band Crazy Horse, it emerged as a sleeper hit amid Young's contemporaneous success with Crosby, Stills, Nash & Young, ultimately peaking at number 34 on the US Billboard 200 in August 1970 during a ...
"Everywhere" has been widely acclaimed by music critics. In The Guardian, Alexis Petridis dubbed it "peerless" and "bulletproof pop songwriting." [8] Ivy Nelson from Pitchfork called "Everywhere" the best song on Tango in the Night, writing that the tune "responds with warmth, empathy, and buoyancy, describing a kind of devotion so deeply felt that it produces weightlessness in a person."
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