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1917 (Original Motion Picture Soundtrack) is the album to the Sam Mendes-directed war film 1917 featuring original score composed by Thomas Newman. The film marked Thomas' seventh collaboration with Mendes after American Beauty (1999), Road to Perdition (2002), Jarhead (2005), Revolutionary Road (2008), Skyfall (2012) and Spectre (2015).
1917 is a 2019 British war film directed and produced by Sam Mendes, who co-wrote it with Krysty Wilson-Cairns.Partially inspired by stories told to Mendes by his paternal grandfather Alfred about his service during World War I, [7] the film takes place after the German retreat to the Hindenburg Line during Operation Alberich, and follows two British soldiers, Will Schofield (George MacKay ...
1917 Japan Anime The Dinosaur and the Missing Link: A Prehistoric Tragedy: 1917 United States Stop-motion Animation Imokawa Mukuzo Genkanban no Maki: 1917 Japan Anime Namakura Gatana: 1917 Japan Anime Momotaro: 1918 Japan Anime The Sinking of the Lusitania: 1918 United States Traditional Animation Urashima Tarō: 1918 Japan Anime Feline Follies ...
Phyllis Diller, American actress and comedian (voice of the Queen in A Bug's Life, Thelma Griffin in Family Guy, the Monster's Mate in Mad Monster Party?, the White Queen in Alice Through the Looking Glass, Grandma Neutron in The Adventures of Jimmy Neutron, Boy Genius, the Sugar Plum Fairy in The Nuttiest Nutcracker, Jane Goodair in the ...
Billie Eilish set out to write the “Barbie” movie’s end credits song “What Was I Made For?” about the titular Mattel doll at the center of the summer’s biggest blockbuster. But the ...
While the set of Barbie may have been fun from day one, Margot Robbie has revealed that one scene from the movie was improvised hilariously by her onscreen companion, Ryan Gosling. Talking with ET ...
In June 2022, singer Kate Bush told BBC Radio 4 that she hadn’t listened to her 1985 song “Running Up That Hill” for “a really long time.” She hadn’t even performed it live since 2014 ...
At the edit, Gerwig felt the song needed to be drawn out for a seven-minute battle sequence, insisting him to score for the film, which he agreed. Following this, he was tasked to score for the opening credits and eventually wound up writing more and more music until the team felt they were composing the entire score for the film. [7] [8]