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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Paraconformity. A paraconformity is a type of unconformity in which the sedimentary layers above and below the unconformity are parallel, but there is no obvious erosional break between them. A break in sedimentation is indicated, for example, by fossil evidence. It is also called nondepositional unconformity or pseudoconformity.
The term "pandiatonicism" was coined by Nicolas Slonimsky in the second edition of Music since 1900 to describe chord formations of any number up to all seven degrees of the diatonic scale, "used freely in democratic equality". [2]
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In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
His theoretical writings cover many topics, including musical logic, [1] notation, [2] harmony, [3] melody, [4] phraseology, [5] the history of music theory, [6] etc. More particularly, the term Riemannian theory often refers to his theory of harmony, characterized mainly by its dualism and by a concept of harmonic functions .
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".