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Bairstow in D . Bairstow in E Flat (Unison voices) . Bairstow in G . Barnby in D . Barnby in E Flat . Barnby in E . Barrow in F (c.1720 - 1789) . Batten 1st Service (Also Short Service) . Batten 2nd Service
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
Dieter Schnebel wrote a Magnificat in 1996/97 for small choir (schola), percussion and additional instruments ad libitum. Arvo Pärt composed a setting for choir a cappella. Kim André Arnesen's Magnificat for choir, strings, piano, and organ premiered in 2010. [citation needed] The Taizé Community have also composed an ostinato setting of the ...
Pietro Torri likely wrote his Magnificat in the 1690s, when he was in the service of Maximilian II Emanuel, Elector of Bavaria. [3] In that period Torri followed his employer to the Spanish Netherlands (1692) and was later deputized to Hanover (1696), only returning to Bavaria in 1701. [4]
The Magnificat and Nunc dimittis for Gloucester Cathedral, also known as the Gloucester Service, is a setting by the English composer Herbert Howells of the Magnificat and Nunc dimittis for the Anglican service of Evensong. Scored for four-part choir and organ, it was written in 1946 for Gloucester Cathedral. It was published by Novello in 1947.
Magnificats, one included in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Jacquet of Mantua: 1483 1559 Magnificats, e.g. two in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Loyset Piéton? fl. c. 1530 Magnificat included in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Ludwig Senfl: c. 1490 1543 Magnificats (Tonus I-VIII) John Taverner ...
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
Contemporaries knew the work already as Schwanengesang. [12] Two of the eight vocal parts, soprano and tenor of choir II, are missing. [8] The organ part was found in the mid 1970s and made an edition with a reconstruction of the two missing voices possible. In 1985, the 400th anniversary of the composer's birth, the work was performed again. [12]