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Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
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The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. [1] Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on ...
Canaro's early milongas are generally the slowest and easiest to dance to; and for that reason, they are the most frequently played at tango dances ; "Milonga Sentimental" is a classic example. Beginning in the Golden Age and continuing afterwards, the orchestras of Osvaldo Pugliese and Carlos di Sarli made many recordings.
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Many tango steps are often borrowed from tango shows, but modified for the tight spaces and flow of other dancers around the floor. Many of these steps are part of tango nuevo . The shape of the steps can vary – for example, how the follower's body is curved during the step may change according to her interpretation of the music or the moment.
A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well, which makes it easier for Argentine tango dancers to spend the whole night dancing only Argentine tango.