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Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. [1] Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on ...
In Argentine tango, the leader can change his weight from one foot to another while the follower's weight remains unchanged; this is the simplest method of changing from parallel system to cross system or vice versa. By contrast in ballroom tango, a weight change by one partner leads to an automatic weight change by the other.
Argentinian folk dances are chacarera, escondido and zamba, also tango used to be a popular dance until the mid-20th century. Cueca is Chilean folk dance. Uruguayan folk dances are pericón, polka, ranchera, etc, also candombe is a common street and parade dance in the cities.
Many researchers agree that the Candombe, through the development of the Milonga, is an essential component in the genesis of the tango. This musical rhythm influenced, especially the "Sureña Milonga". In fact, tango, milonga and candombe form a musical triptych from the same African roots, but with different developments. [11]
Milonga with live music. Milonga is an event where Argentine tango is danced. The venue dedicated to milongas may also be called "milonga". People who frequently go to milongas may be called milongueros. The music played is mainly tango, vals and milonga. Most milongas are held on a regular basis (usually weekly), and they often begin with ...
The Argentine milonga and tango makes use of the habanera rhythm of a dotted quarter-note followed by three eighth-notes, with an accent on the first and third notes. [34] As the consistent rhythmic foundation of the bass line in Argentine tango the habanera lasted for a relatively short time until a variation, noted by Roberts, began to ...
Though smaller and larger sizes are available, from 15 g (0.53 oz) "guest soap" up to a 10 kg (22 lb) self-slicing block. [7] Marseille soap is frequently used for domestic cleaning, including hand-washing of delicate garments such as those made of wool or silk. In its liquid form it is commonly sold as a hand soap.
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