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Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
During her years in the public eye, Georgiana Cavendish, Duchess of Devonshire was painted several times by both Thomas Gainsborough and Joshua Reynolds. Gainsborough's painting of her around 1785, in a large black hat (a style which she made fashionable, and came to be known as the 'Gainsborough' or 'portrait' hat), has become famous for its history.
Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London.Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and ...
This is a Toad-themed reproduction of Gainsborough's oil painting The Blue Boy. [19] The Blue Boy painting is a heavily-used prop in the 1929 Laurel and Hardy comedy Wrong Again. The painting is also referenced in the movie Coraline as a portrait in the Pink Palace's hearth room.
Portrait of Admiral Rodney or Admiral Rodney at the Battle of the Saintes is a 1783 portrait painting by the English artist Thomas Gainsborough featuring the British admiral George Rodney, 1st Baron Rodney. [1] [2] It depicts his April 1782 victory at the Battle of the Saintes in the Caribbean Sea during the American War of Independence.
Philip James de Loutherbourg is a portrait painting by the British artist Thomas Gainsborough of the French-born painter and set designer Philippe Jacques de Loutherbourg. [ 1 ] Born in Strasbourg , Loutherbourg settled in London in 1770 and became noted for his set designs at the Theatre Royal, Drury Lane as well as his landscape paintings ...
The painter is thought to have produced the artwork at the age of 13.
The etching, 1764, based on the lost painting, published by John Boydell. Thomas Gainsborough was the first British artist to make a major study of the subject of Romani people, [1] [2] beginning with two paintings in the 1750s, the first of which he never finished, and the second of which is now lost, but survives in an etching by Gainsborough.
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