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Reach Out is the fourth studio album by the Four Tops, issued on Motown Records in July 1967. The group's biggest-selling studio album, Reach Out includes six of the Four Tops' most successful singles including the US and UK #1 hit "Reach Out I'll Be There", "Standing in the Shadows of Love", "Bernadette" and "7-Rooms of Gloom".
On Top "Loving You Is Sweeter Than Ever" "I Like Everything About You" (from Four Tops Second Album) 45 12 — 35 — — — 21 "Reach Out I'll Be There" "Until You Love Someone" (from On Top) 1 1 10 6 13 4 6 1 RIAA: Gold [14] BPI: Gold [5] Reach Out "Standing in the Shadows of Love" "Since You've Been Gone" (from Four Tops Second Album) 6 2 ...
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown 's main production team, Holland–Dozier–Holland , [ 3 ] the song is one of the most widely-known Motown hits of the 1960s and is ...
Sing along to some of the best karaoke songs at your next party! We feature top karaoke songs for women and men, even if you're not the best vocalist!
“Reach Out” became the second Motown song ever to top the UK pop singles chart, after The Supremes’ “Baby Love.” What Four Tops were singing about, though, was no baby love.
August 1966 brought the release of the Four Tops' all-time biggest hit and one of the most popular Motown songs ever. "Reach Out I'll Be There" reached number 1 on the U.S. pop and R&B charts [4] and the UK chart and soon became the Tops' signature song. [3]
56. “I’ll Cover You” By Jesse L. Martin And Wilson Jermaine Heredia (2005) Yes, Rent has A LOT of great hits, but this duet with Tom (Martin) and Angel (Heredia) is a top tier in our book ...
A review in Billboard recommends this album to retailers as a "super set" with "stunning live performances". [1] Editors at AllMusic Guide scored this release 2.5 out of five stars, with reviewer Andrew Hamilton praising the "crack sound system" for the recording and opining that several of the live versions rival their studio recordings in quality.