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The Giant Gila Monster is an American 1959 monster film directed by Ray Kellogg and produced by Ken Curtis.A famous B-movie of the era, the film stars Don Sullivan, a veteran of several low budget monster and zombie films, and Lisa Simone, the French contestant for the 1957 Miss Universe, as well as comedic actor Shug Fisher and KLIF disc jockey Ken Knox.
2003, Saving Jessica Lynch (TV movie) 2003, Deadly Cinema (TV series) 2004, The Ant Bully (animated in Dallas) 2004, The Benefactor (TV series) 2004, Primer; 2006, The Night of the White Pants; 2006–2008, Prison Break (TV series) 2009, Fissure; 2010, Earthling; 2010-2011, The Good Guys (TV series) 2011, The Tree of Life; 2012, 9th Floor ...
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Top-lined Sullivan would appear in a number of other genre films afterward, such as The Giant Gila Monster. [5] This was the only lead role of B-movie actress and pin-up model Carmen, best known as a trick-shot golf "expert". Character actor Lewis was primarily known for his radio work, as was Tremayne.
Missouri Born: The Films of Jim Davis, an all-new career retrospective with author/film historian, C. Courtney Joyner / The Men Behind the Monsters, an essay by author Don Stradley featured in a full color booklet / Commentary with artist/author, Stephen R. Bissette / Includes both widescreen (1.85:1) and full frame (1.33:1) versions of film 2022
Color was the more common choice, being that it was projected the same as black and white while theaters needed wider screens and special lenses for their projectors to show widescreen movies. With the lack of a standard for widescreen aspect ratios, studios had to go to the expense of filming several versions of a widescreen movie to cover the ...
Local Color is a 2006 American drama film, written and directed by George Gallo and starring Armin Mueller-Stahl, Ray Liotta and Trevor Morgan in the lead role. It is based on the director/writer's experience when he was 18. The character of Nicholai Seroff was based on George Cherepov, to whom Gallo had been an apprentice in the 1970s.
Artists and Models is considered a milestone in movie satire for its mockery of mid-1950s pop culture. One scene satirizes the Kefauver hearings on violent comic books, and other targets in the film include the Cold War, the space race and the publishing business. In the final production number, Rick and Eugene are seen painting on the backs of ...