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The basic right when a work is protected by copyright is that the holder may determine and decide how and under what conditions the protected work may be used by others. This includes the right to decide to distribute the work for free. This part of copyright is often overseen.
Coordinator of this project runs a Brussels-based public affairs & government relations firm specialised in the online environment, that mainly mentions Industry (a.o. Google) and Trade Associations as its clients. [6] Attempts at expansion of copyright limitations and exceptions are sometimes regarded as a threat by publishers. [7] [8]
He also observed that under the distinction, a painter's copyright might be dependent on how stylized their work was, with a more realism-oriented artist like the one whose works were at the center of the instant case having a more difficult case for copyright infringement than the Impressionist Monet.
All published derivative works must use exactly the same license as the original: if you use the work, you're forced to use the same license for your own original work as well. If your work is using a different license, you can't use the copyleft license, even if your work is also using a (different) copyleft licence. If you don't want to ...
If the person doing the work is an "employee" within the meaning of the common law, and the work was done within the scope of their employment (whether the work is the kind they were employed to prepare; whether the preparation takes place primarily within the employer's time and place specifications; and whether the work was activated, at ...
If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression ...
The fair use right is a general exception that applies to all different kinds of uses with all types of works. In the U.S., fair use right/exception is based on a flexible proportionality test that examines the purpose of the use, the amount used, and the impact on the market of the original work. [2]
Likewise, parody is transformative – repurposing a work to mock the work itself or the principles the work represents serves a very different purpose from that of the original work. Repurposing a work to aid identification of the base work is also generally transformative. In Kelly v. Arriba Soft Corp. and Perfect 10 v.
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