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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as 4 4 (spoken as four–four time), or a time symbol, such as (spoken as common time). It immediately follows the key signature (or if there is no key signature, the clef symbol).
Quadruple metre (also quadruple time) is a musical metre characterized in modern practice by a primary division of 4 beats to the bar, [2] usually indicated by 4 in the upper figure of the time signature, with 4 4 (common time, also notated as ) being the most common example. Shown below are a simple and a compound quadruple drum pattern.
Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The verse of the theme to Valley of the Dolls uses the time signatures 4 4, 3 4, 2 4, 4 4, 4 4, effectively producing 17 4. The rhythmic proportions of Stockhausen's Klavierstück IX are governed by the Fibonacci series, resulting in time signatures of e.g. {{Time signature|21|8}}, {{Time signature|34|8}}, {{Time signature|42|8}}, {{Time ...
5/4 is identified as an odd time signature in one of the sources, though it is not as prominent as it should be: "All this from a straight-ahead jazz quartet playing in 5/4, an odd time signature." Sony Music listing for Take Five. Perhaps the source identifying the time signature as odd should be cited at the start of the section.