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A ballet blanc (French: [balɛ blɑ̃], "white ballet") is a scene in which the ballerina and the female corps de ballet all wear white dresses or tutus. [1] Typical in the Romantic style of ballet from the nineteenth century, ballets blancs are usually populated by ghosts, dryads, naiads, enchanted maidens, fairies, and other supernatural ...
Les Sylphides (French: [le silfid]) is a short, non-narrative ballet blanc to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov.. The ballet, described as a "romantic reverie", [1] [2] is frequently cited as the first ballet to be simply about mood and dance. [1]
Scene from Les Sylphides. The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance.
Ballet of the Nuns is the first ballet blanc and the first romantic ballet. [1] It is an episode in Act 3 of Giacomo Meyerbeer's grand opera, Robert le diable. It was first performed in November 1831 at the Paris Opéra. The choreography (now lost) was created by Filippo Taglioni. Jean Coralli may have choreographed the entry of the nuns. [2]
The Three Graces: embodiment of the Romantic ballet, ca. 1840.This lithograph by A. E. Chalon depicts three of the greatest ballerinas in three of the era's defining roles: (left to right) Marie Taglioni as the Sylph in Filippo Taglioni's 1832 ballet La Sylphide; Fanny Elssler as Florinda in the dance La Cachucha from Jean Coralli's 1836 ballet Le Diable boiteux; and Carlotta Grisi as Béatrix ...
After a 1989 performance as Myrtha, the Queen of the Wilis in the ballet blanc scene of the Romantic ballet Giselle, a review published in New York Magazine described her as having "extraordinarily long limbs" and a "calm, majestic command" over her body while performing slower movements, but noted that her phrasing became "disconnected" while performing big leaps or petit allegro combinations ...
Cyril Beaumont writes that Giselle is made up of two elements: dance and mime. Act 1 features short mimed scenes, he points out, and episodes of dancing which are fused with mime. In act 2, mime has become fused entirely with dance. He indicates that the choreographic vocabulary is composed of a small number of simple steps:
Don Quixote is a 1973 Australian ballet film directed by and starring Rudolf Nureyev and Robert Helpmann. [3] The film is adapted from Marius Petipa 's ballet of the same name , itself based on Miguel de Cervantes ' novel El ingenioso hidalgo don Quijote de la Mancha .