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In 1497, followers of the Italian priest Girolamo Savonarola collected and publicly burned books and objects which were deemed to be "immoral", some – but by no means all – of which might fit modern criteria of pornography or "lewd pictures", as well as pagan books, gaming tables, cosmetics, copies of Boccaccio's Decameron, and all the ...
The Decameron (/ d ɪ ˈ k æ m ər ə n /; Italian: Decameron [deˈkaːmeron, dekameˈrɔn,-ˈron] or Decamerone [dekameˈroːne]), subtitled Prince Galehaut (Old Italian: Prencipe Galeotto [ˈprentʃipe ɡaleˈɔtto, ˈprɛn-]) and sometimes nicknamed l'Umana commedia ("the Human comedy", as it was Boccaccio that dubbed Dante Alighieri's Comedy "Divine"), is a collection of short stories by ...
The book burning at Ephesus is an event recorded in the Acts of the Apostles, where Christian converts at Ephesus, influenced by Paul the Apostle, burned their books of magic. Acts 19 provides an account of the event: Also many of those who were now believers came, confessing and divulging their practices.
A bonfire of the vanities (Italian: falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin.The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion ...
The French motto Flagror non consumor – "I am burned but not consumed" – suggests the symbolism was understood of the suffering church that nevertheless lives. [29] However, given the fire is a sign of God's presence, he who is a consuming fire (Hebrews 12:29) the miracle appears to point to a greater miracle: God, in grace, is with his ...
The Decameron’s underlying thesis spoke to the struggle between one’s social status and one’s true self—earlier in the season, Licisca assumes Filomena’s noble identity after leaving her ...
Dioneo tells the final (and possibly most retold) story of the Decameron. Although Boccaccio was the first to record the story, he almost certainly did not invent it. Petrarch mentions having heard it many years before, but not from Boccaccio. Therefore, it was probably already circulating in oral tradition when the Decameron was written.
Before there were single-location concept shows or Zoom table reads, there was the original pandemic-adjacent entertainment: Bocaccio’s “The Decameron,” the 14th-century anthology framed ...
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