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Winter landscape with horses on the ice oil on panel; 47 x 63 cm; signed b.l.: A. Schelfhout f 1844; Author: Andreas Schelfhout: Short title: Winter landscape with horses on the ice, by Andreas Schelfhout; Credit/Provider: Gemeentemuseum Den Haag: Headline: Winter landscape with horses on the ice, by Andreas Schelfhout: Width: 5,811 px: Height ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Self portrait (1882) Joseph Farquharson DL RA (4 May 1846 – 15 April 1935) was a Scottish painter, chiefly of landscapes in Scotland often including animals. He is most famous for his snowy winter landscapes, often featuring sheep and often depicting dawn or dusk.
Articles concerning the appearance of the horse in any type of visual artistic format other than film and television, which are categorized under Category:Horses in film and television. Stories about horses should be categorized at Category:Fictional horses
Self-Portrait features an interior space consisting of two walls meeting at a corner, a ceiling, a tiled floor, and an ornately curtained window that reveals a lush, green forest view and a white horse galloping in the distance. Carrington depicted herself seated on a chair in the foreground, gesturing to a lactating hyena on her right.
The Sea of Ice; The Seasons (Mucha) The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov ...
The artist and critic Sergei Goloushev (literary pseudonym — Sergei Glagol) considered the painting Taking a Snow Town a high point in Surikov's work as a painter". [15] The art historian Vladimir Kemenov called Taking a Snow Town a joyful and cheerful picture. In his opinion, the artist managed to convey "sincere passion of the Siberian game ...
Many art historians believe that the manner in which the horses and carriages are cropped in the painting are the result of influence of photography. Art historian Aaron Scharf has compared this painting to an album of stereoscopic photographs called Vues instantanées de Paris taken by the photographer Hippolyte Jouvin .