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Teguh Karya (born Steve Liem Tjoan Hok; Chinese: 林廉鹤; 22 September 1937 – 11 December 2001) was an Indonesian film director. Starting his entertainment career in theatre, he made his directorial debut in 1971 with Wadjah Seorang Laki-Laki in which he also wrote the screenplay.
In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. [3] In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies ...
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium.
Literary nonsense (or nonsense literature) is a broad categorization of literature that balances elements that make sense with some that do not, with the effect of subverting language conventions or logical reasoning. [1] Even though the most well-known form of literary nonsense is nonsense verse, the genre is present in many forms of literature.
Sandiwara (Indonesian term for: "drama") is a genre of traditional theatrical drama of Indonesia. In general, it refers to any kind of drama or theatrical performance, and literally, sandiwara means "to pretend" or "to act". However, the term is often used to describe a genre of traditional drama of West Java.
The individual words make sense and are arranged according to proper grammatical rules, yet the result is nonsense. The inspiration for this attempt at creating verbal nonsense came from the idea of contradiction and seemingly irrelevant and/or incompatible characteristics, which conspire to make the phrase meaningless, but are open to ...
Give the audience a sense that if they just stay engaged for a very short time, they will see or know that which they desire. Emotional significance of anticipated events increases tension. The intensity of the tension is proportional to the emotional audience's (or character's) investment in the outcome.
Norbertus Riantiarno (better known as Nano Riantiarno or N. Riantiarno; 6 June 1949 – 20 January 2023) was an Indonesian actor, director, and playwright.While in high school, he studied under Teguh Karya and acted in several movies and plays, until he eventually established his own theatre troupe, Teater Koma, in 1977.