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For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
The data compression software for encoding into ALAC files, Apple Lossless Encoder, was introduced into the Mac OS X Core Audio framework on April 28, 2004, together with the QuickTime 6.5.1 update, thus making it available in iTunes since version 4.5 and above, and its replacement, the Music application. [8]
For example, LAME was chosen as the representative MP3 encoder because it clearly outperformed four other MP3 encoders on a subset of the full sample corpus. Sebastian Mares: 2005 December multiple ~140 (nominal 128) Nero AAC 3.1.0.2 VBR/Stereo - Streaming, 100-120 kbit/s [LC AAC] iTunes AAC 6.0.1.3 128 kbit/s, VBR; LAME 3.97 Beta 2-V5—vbr-new
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate. [4] AAC has been standardized by ISO and IEC as part of the MPEG-2 and MPEG-4 specifications.
Ogg only supports Opus, Vorbis, FLAC, A-law PCM, μ-law PCM, IEEE floating-point PCM, Speex and CELT. [f] OGMtools supports MP3 and AC-3 in Ogg. [102] RMVB only supports AC-3, ATRAC3, G.728, AAC-LC, HE-AAC v1, IS-54, Cook Codec, Sipro Lab, ACELP-NET and RealAudio Lossless. VOB only supports MP2 directly. It also supports AC-3, DTS, MLP and LPCM ...
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
FLAC is specifically designed for efficient packing of audio data, unlike general-purpose lossless algorithms such as DEFLATE, which are used in ZIP and gzip. While ZIP may reduce the size of a CD-quality audio file by 10–20%, FLAC is able to reduce the size of audio data by 40–50% by taking advantage of the characteristics of audio.
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors.