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Information art are manifested using a variety of data sources such as photographs, census data, video clips, search engine results, digital painting, network signals, and others. [8] Often, such data are transformed, analyzed, and interpreted in order to convey concepts and develop aesthetics.
From one point of view, for a work of art to be considered algorithmic art, its creation must include a process based on an algorithm devised by the artist. Here, an algorithm is simply a detailed recipe for the design and possibly execution of an artwork, which may include computer code , functions , expressions , or other input which ...
The quality of provenance of an important work of art can make a considerable difference to its selling price in the market. This is affected by the degree of certainty of the provenance, the status of past owners as collectors, and in many cases by the strength of evidence that an object has not been illegally excavated or exported from ...
"Generative art" often refers to algorithmic art (algorithmically determined computer generated artwork) and synthetic media (general term for any algorithmically generated media), but artists can also make generative art using systems of chemistry, biology, mechanics and robotics, smart materials, manual randomization, mathematics, data ...
Advertising is one of the most profitable uses of graphics; artists often do advertising work or take advertising potential into account when creating art, to increase the chances of selling the artwork. Most importantly, graphics give a good look to artwork whenever it is applied. Graphics contribute to the general outlook of a
show the data; induce the viewer to think about the substance rather than about methodology, graphic design, the technology of graphic production, or something else; avoid distorting what the data has to say; present many numbers in a small space; make large data sets coherent; encourage the eye to compare different pieces of data
More than 1,200 years ago, an unidentified Maya artist decorated an extraordinary, 16-inch circular ceramic plate, painting one half in flat, nearly black slip and the other a creamy off-white.
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.