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To achieve the effect, the 1980s remix artists take the original song and "slather it with obsolete-sounding synthesizer music." [10] They use different images of '80s music such as saxophone solos, syncopated synthesizer beats, and a more liberal use of chord progressions than the originals. Some covers seek
1980–1985 The New Mix in One Go is a compilation of remixed songs by the Swiss band Yello. It was released on March 17, 1986. [ 4 ] The album peaked at No. 99 in Australia on the Kent Music Report chart in December 1986.
The 1980 single version of "Atomic" was a remix. The original 4:35 version as featured on the albums Eat to the Beat and 1981's The Best of Blondie opens with an intro inspired by the nursery rhyme "Three Blind Mice" and includes an instrumental break with a bass guitar solo.
Call Me" by Blondie was the number one song of 1980. This is a list of Billboard magazine's Top Hot 100 songs of 1980. [1] [2] No. Title ... 1980 in music;
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
"I.O.U." is a song by British musical group Freeez, released in 1983. The song was written and produced by Arthur Baker and remixed by Jellybean Benitez and Arthur Baker. The song was an international hit, reaching number two on the UK Singles Chart, making the top ten in many European charts and topping the US Billboard Dance/Disco chart. It ...
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles.These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end.