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My Favourite Headache (also published as My Favorite Headache, especially in the US) is the debut solo album by Geddy Lee of Canadian rock band Rush. The album was released on November 14, 2000, by Anthem Records in Canada and Atlantic Records outside of Canada. Both the title track and "Grace to Grace" received play on mainstream rock radio.
In May 1994, Rush finished their Counterparts Tour of the United States and Canada in support of the band's 15th album Counterparts (1993). [8] The group then took a usual break in activity, but this went on to last 18 months as bass guitarist and vocalist Geddy Lee wanted to be at home for the first year of his daughter's life.
Geddy Lee Weinrib (/ ˈ ɡ ɛ d i /; born Gary Lee Weinrib, July 29, 1953) is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the rock group Rush. [4] Lee joined the band in September 1968 at the request of his childhood friend Alex Lifeson , replacing original bassist and frontman Jeff Jones .
This is a comprehensive list of compositions performed or recorded by the Canadian rock band Rush or its principal members Alex Lifeson, Geddy Lee, and Neil Peart, including contributions made to other artists.
Rush was a Canadian progressive rock band originally formed in August 1968, in the Willowdale neighbourhood of Toronto, Ontario. For the overwhelming majority of its existence, the band consisted of bassist , keyboardist, and lead vocalist Geddy Lee , guitarist Alex Lifeson , and drummer and lyricist Neil Peart .
Rush's Geddy Lee has unearthed two previously unreleased solo tracks recorded as demos during writing sessions for his 2000 solo album.
While Foo Fighters' frontman Dave Grohl and Rush bassist/singer Geddy Lee would make a great super-group rhythm section, so far they're only sharing an on-screen conversation with their moms. The ...
Ultimate Classic Rock ranked "A Farewell to Kings" number 4 on their list of "All 167 Rush Songs Ranked Worst to Best". [6]AllMusic reviewer Greg Prato picked the "A Farewell to Kings" as one of the highlights on the album, and called the song's intro "a tasty classical guitar/synth passage, before erupting into a powerful rocker."