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Until the 16th century, these motifs remained rather formal and stylized, but from the late 17th century onward they began to change under increasing Western European influence. By the 19th century, European-style motifs were directly incorporated into Ottoman decoration and European techniques such as trompe-l'œil were introduced.
In the late 19th century, an Orientalist fashion mixed neo-Ottoman and other traditional Islamic architectural elements into new buildings, seen in many of the designs by Alexandre Vallaury. [3] [4] Art Nouveau also appeared towards the end of the century, promoted most notably by Raimondo D'Aronco.
Over the subsequent generation, the ottoman became a common piece of bedroom furniture. European ottomans standardized on a smaller size than the traditional Turkish ottoman, and in the 19th century they took on a circular or octagonal shape. The seat was divided in the center by arms or by a central, padded column that might hold a plant or ...
Classical Ottoman architecture is a period in Ottoman architecture generally including the 16th and 17th centuries. The period is most strongly associated with the works of Mimar Sinan, who was Chief Court Architect under three sultans between 1538 and 1588.
In this period, Ottoman architecture, especially under the work and influence of Sinan, saw a new unification and harmonization of the various architectural elements and influences that it had previously absorbed but which had not yet been fully synthesized into a collective whole. [59] Ottoman architecture used a limited set of general forms ...
Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century CE, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. [4] At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions.
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