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Rumba clave in duple-pulse and triple-pulse structures Play duple ⓘ and triple ⓘ The other main clave pattern is the rumba clave. Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
The clave patterns originated in sub-Saharan African music traditions, where they serve the same function as they do in salsa. [4] The two most common five-stroke African bell parts, which are also the two main clave patterns used in Afro-Cuban music, are known to salsa musicians as son clave and rumba clave.
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [99]
Around 1910 the son most likely adopted the clave rhythm from the Havana-based rumba, which had been developed in the late 19th century in Havana and Matanzas. [ 20 ] After trovador Sindo Garay settled in Havana in 1906, many other trovadores followed him hoping to obtain a recording contract with one of the American Companies such as RCA ...
According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
The attack-point pattern of the Matanzas-style lock is one clave in length, but its basic melodic structure is a two-clave phrase. The tone-slap melody usually reverses with every clave. [8] This style of quinto playing was made popular by the many recordings of Los Muñequitos de Matanzas (1956–present), the most famous rumba group from ...