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๐ถ ๐ท ๐ธ ๐น โฏ ๐ป โ ๐ฝ ๐พ ๐ฟ ๐ ๐ ๐ ๐ โด ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ Mathematical Bold ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ ๐ก ๐ข ๐ฃ ๐ค ๐ฅ ๐ฆ ๐ง ๐จ ๐ฉ ๐ช ๐ซ ๐ฌ ๐ญ ๐ฎ ๐ฏ ๐ฐ ๐ฑ ๐ฒ ๐ณ ๐ด ๐ต ๐ถ ๐ท ...
In Swedish (e.g. skjorta "shirt") it is often realised as the sje sound [ษง]. ssi is used for /ส/ in English such as in mission. It is used in a few French loanwords in Swedish for the sje sound /ษง/, e.g. assiett "dessert plate". ssj is used for the sje sound /ษง/ in a few Swedish words between two short vowels, such as hässja "hayrack".
When it appears between two syllables, it represents /ษกn/ (e.g. signal). In Norwegian and Swedish, gn represents /ลn/ in monosyllabic words like agn, and between two syllables, tegne. Initially, it represents /ษกn/, e.g. Swedish gnista /หษกnษชsta/. gñ was used in several Spanish-derived orthographies of the Pacific for /ล/.
Download QR code; Print/export Download as PDF; Printable version; In other projects ... U G V G W G X G Y G Z H A H B H C H D H E H F H G H H H I H J H K H L H M H N ...
It was not until the Middle Ages that the letter W (originally a ligature of two V s) was added to the Latin alphabet, to represent sounds from the Germanic languages which did not exist in medieval Latin, and only after the Renaissance did the convention of treating I and U as vowels, and J and V as consonants, become established.
Dr. Carmine D. Clemente, the editor who followed Goss, is in his 80s. In a phone interview, he said that in his experience with Lea & Febiger, Gray’s storied American publisher, the editor of each edition was granted full editorial autonomy. In other words, the decision to eliminate the clitoris in the 25th edition was likely made by Goss alone.
Redirects from related topics are different than redirects from related words, because a related topic is more likely to warrant a full and detailed description in the target article. If this redirect's subject is notable , then also tag it with {{ R with possibilities }} and {{ R printworthy }} .
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.