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The contrabass saxophone is the second-lowest-pitched extant member of the saxophone family proper. It is pitched in E♭ one octave below the baritone saxophone , which requires twice the length of tubing and bore width.
In the 2000s, J'Élle Stainer made contrabass saxophones for the popular large church orchestras of the Christian Congregation in Brazil. In 2010 they produced the first working subcontrabass saxophone, albeit in a more compact form than originally envisaged, more than 160 years after Sax first described it in his 1846 patent. [1]
Saxophone Piccolo saxophone: B ♭ 4: Sopranino saxophone: E ♭ 4: Soprano saxophone: B ♭ 3: F alto saxophone F 3: Alto saxophone: E ♭ 3: C Melody Saxophone: C 3: Tenor saxophone: B ♭ 2: Baritone saxophone: E ♭ 2: C bass saxophone C 2: Bass saxophone: B ♭ 1: Contrabass saxophone: E ♭ 1: Subcontrabass saxophone B ♭ 0: Tin whistle ...
Although described in Adolphe Sax's patent in 1846, a practical, playable subcontrabass saxophone did not exist until the 21st century. [2] An oversized saxophone that might have qualified was built as a prop circa 1965; it could produce tones, but its non-functional keywork required assistants to manually open and close the pads, and it was reportedly incapable of playing a simple scale.
As per advertising of the time, the well-known American saxophone manufacturer, Buescher imported a number of these instruments into the United States during the late 1920s or early 1930s, perhaps as an answer to C.G. Conn's production of the contrabass sarrusophone. Per advertisements for this instrument and photos that have appeared in books ...
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
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The tubax is a modified contrabass saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim.Although it has the same fingering as the saxophone, Eppelsheim's design reduces the amount of expansion of its conical bore in relation to the length of tubing, resulting in a smaller volume of resonant air column.
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