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Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that ...
Other notable poets of the era include Ben Jonson, Robert Herrick, George Herbert, Aphra Behn, Thomas Carew, John Suckling, Richard Lovelace, John Milton, Richard Crashaw, and Henry Vaughan. A German lyric poet of the period is Martin Opitz; in Japan, this was the era of the noted haiku -writer Matsuo Bashō.
Lyricism is a term used to describe a piece of art considered to have deep emotions. [1] Its origin is found in the word lyric, derived via Latin lyricus from the Greek λυρικός (lurikós), [2] the adjectival form of lyre. [3] It is often employed to relate to the capability of a lyricist.
Edelweiss flower, Leontopodium alpinum. " Edelweiss " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss (Leontopodium nivale), a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain ...
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationers' Company in September 1580, [1] [2] and the tune is found in several late 16th-century and early 17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various ...
Doris Day performing the song in the 1956 film The Man Who Knew Too Much. " Que Sera, Sera (Whatever Will Be, Will Be) " [a] is a song written by the team of Jay Livingston and Ray Evans that was first published in 1955. [4] Doris Day introduced it in the Alfred Hitchcock film The Man Who Knew Too Much (1956), [5] singing it as a cue to their ...
Do-Re-Mi. " Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
Lyric setting. Lyric setting is the process in songwriting of placing textual content (lyrics) in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody. Prosody is defined as "an appropriate relationship between elements."