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Mark (alone among the evangelists) then relates that there was a young man who was a follower (Ancient Greek: τις συνηκολουθει αυτω, tis synēkolouthei autō) of Jesus, who was wearing "nothing but a linen garment"; he was seized by the crowd, [26] and he left his clothes behind and fled away naked (see also Naked fugitive).
The Book of Revelation Rev 1:14-15 includes John's vision of the Son of Man: His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire; And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters.
Antonio da Correggio, The Betrayal of Christ, with a soldier in pursuit of Mark the Evangelist, c. 1522. The naked fugitive (or naked runaway or naked youth) is an unidentified figure mentioned briefly in the Gospel of Mark, immediately after the arrest of Jesus in the Garden of Gethsemane and the fleeing of all his disciples:
The Denial of Saint Peter by Caravaggio Flemish painting: Denial of Saint Peter by Gerard Seghers The Denial of St Peter by Gerard van Honthorst (1622–24). The prediction, made by Jesus during the Last Supper that Peter would deny and disown him, appears in the Gospel of Matthew 26:33–35, the Gospel of Mark 14:29–31, the Gospel of Luke 22:33–34 and the Gospel of John 13:36–38.
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
A 9th-century Gospel of Mark, from the Codex Boreelianus. The Messianic Secret is a motif in the Gospel of Mark, in which Jesus is portrayed as commanding his followers to maintain silence about his Messianic mission. Attention was first drawn to this motif in 1901 by William Wrede.
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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...