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"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", [2] a poem written by American lawyer Francis Scott Key on September 14, 1814, after he witnessed the bombardment of Fort McHenry by the British Royal Navy during the Battle of Baltimore in the War of 1812.
Nigeria, We Hail Thee is the national anthem of Nigeria. Dating to 1959, the lyrics were written by Lillian Jean Williams and the music was composed by Frances Benda. It was first used upon independence in 1960, until it was replaced by "Arise, O Compatriots" in 1978. [2] "Nigeria, We Hail Thee" was officially readopted on 29 May 2024. [3]
In response, it was decreed that the current lyrics did include women in context, and it was stated that "Stand and Sing of Zambia, Proud and Free" was "composed of historical lyrics that reflect the country's heritage and pride." [3] In 2012, Professor Michelo Hansungule repeated the concerns that the Zambian national anthem was too masculine.
Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795. Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under ...
Hendrix's version was an instrumental masterpiece, but Scott is perhaps the most visible vocalist to rewrite the anthem's lyrics to reflect a more honest telling of America's history of racism ...
Arise, O Compatriots is a Nigerian patriotic song that was used as the national anthem of Nigeria from 1 October 1978 until 2024, when Nigeria, We Hail Thee was reinstated. On 29 May 2024, "Arise, O Compatriots" was officially relinquished followed by the readoption of the first national anthem, "Nigeria, We Hail Thee" used from 1960 until 1978.
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
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