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After the double Minuet, Petzold's Suite continues with a Gigue and a Passepied with Trio. According to the manuscript, the Minuets are to be performed da capo, in this order: [20] Menuet alternativement (=first Minuet, G major) [21] Menuet 2 (=second Minuet, G minor) [6] On reprend le premier Menuet (repeat the first Minuet) [6]
Minuet in the Classical period. A minuet (/ ˌ m ɪ nj u ˈ ɛ t /; also spelled menuet) is a social dance of French origin for two people, usually written in 3 4 time but always played as if in 6 8 (compound duple metre) to reflect the step pattern of the dance. The English word was adapted from the Italian minuetto and the French menuet.
Simple meters are those whose upper number is 2, 3, or 4, sometimes described as duple meter, triple meter, and quadruple meter respectively. In compound meter , the note values specified by the bottom number are grouped into threes, and the upper number is a multiple of 3, such as 6, 9, or 12.
The scherzo, as most commonly known today, developed from the minuet and trio, and gradually came to replace it as the third (sometimes second) movement in symphonies, string quartets, sonatas, and similar works. It traditionally retains the triple meter time signature and ternary form of the minuet, but is considerably quicker. It is often ...
The trio section of the minuet offers a brief respite with a first strain in E ♭ major; but the second strain returns to the minor, modulating down through several minor keys. The trio ends with a plagal cadence to G major, for a Baroque-like Picardy third conclusion; but then the minuet recapitulates in G minor. The move from G major back to ...
Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830. Minuet in F major, BWV Anh. 113. Minuet in G major, BWV Anh. 114. Usually attributed to Christian Petzold. [3] [4] [5] Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold. Rondeau in B-flat major, BWV Anh ...
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The minuet is in incipient ternary form, A-A-B-A, a type of song form as differentiated from other, such as the binary song form in the format A-B, the ternary A-B-A, or the rondo, A-B-A-C-A or an alternate form but with the "A" theme repeating after each new theme in the sequence of themes.