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The augmented sixth interval is typically between the sixth degree of the minor scale, ♭, and the raised fourth degree, ♯.With standard voice leading, the chord is followed directly or indirectly by some form of the dominant chord, in which both ♭ and ♯ have resolved to the fifth scale degree, .
The augmented sixth chord can either be the Italian sixth It +6, which is enharmonically equivalent to a dominant seventh chord without the fifth; the German sixth Gr +6, which is enharmonically equivalent to a dominant seventh chord with the fifth; or the French sixth Fr +6, which is enharmonically equivalent to the Lydian dominant without the ...
Augmented Major sixth chord: Play ⓘ 4-26: 0 4 7 9: Major Major sixth ninth chord ("6 add 9", [2] Nine six, [3] 6/9) Play ...
Augmented sixth Play ⓘ.. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1] [4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.
[1] [3] Irregular resolutions also include V 7 becoming an augmented sixth [specifically a German sixth] through enharmonic equivalence [1] or in other words (and the adjacent image) resolving to the I chord in the key the augmented sixth chord (FACD ♯) would be in (A) rather than the key the dominant seventh (FACE ♭) would be in (B ♭).
However, this does not mean that these notes must be played within an octave of the root, nor the extended notes in seventh chords should be played outside of the octave, although it is commonly the case. 6 is particularly common in a minor sixth chord (also known as minor/major sixth chord, as the 6 refers to a major sixth interval).
It is called a "sixth" because the interval between the bass note and the root of the chord is a minor sixth. For example, in the key of C major or C minor the chord consists of D ♭ (the root note), F (the third of the triad), and A ♭ (the fifth of the triad) – with the F in the bass, to make it a ♭ II 6 rather than a root-position ♭ II.
For the C major chord (C,E,G), the conventional left-hand fingering doubles the C and E notes in the next octave; this fingering uses two open notes, E and G: E on the first string; C on the second string; G on the third string; E on the fourth string; C on the fifth string; Sixth string is not played. [49] Major Chords (Guide for Guitar Chord ...