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The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. [1] In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre.
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
See Rotta for the medieval lyre, or Rote for the fiddle. During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments).
The Byzantine lyra or lira (Greek: λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire.In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with the fingertips and fingernails.
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
This category concerns instruments of the yoke lutes (or lyres) family.In the Hornbostel-Sachs classification system, lyres are designated as '321.2'.. 321.2: Instruments in which the string is attached to a yoke that consists of a cross-bar and two arms, with the yoke lying in the same plane as the sound-table (lyres or yoke lutes)
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An artistic rendering of a medieval harp (Cythara anglica) from Martin Gerbert's De Cantu et musica sacra a prima ecclesiae aetate usque ad praesens tempus (Typis San-Balsianis, 1774). [1] Below it are a rebec or vielle and a lyre. The Germanic lyre was present in Western Europe before the harp, a version shown here as Cythara Teutonica.