Search results
Results from the WOW.Com Content Network
It shows symbols of art (music, sculpture and painting), glory (armour, sabre, bow and arrows), temporal power (Christian or Muslim crowns), spiritual power (tiara and cross), wealth (copper, silver, gold, furs and precious textiles), knowledge (globe and books), all heaped as a pyramid in a ruined palace or church.
Some depictions of vanity include scrolls that read Omnia Vanitas ("All is Vanity”), a quotation from the Latin translation of the Biblical book of Ecclesiastes. [6] Although the term vanitas (Latin, "emptiness") originally meant not obsession by one's appearance, but the ultimate fruitlessness of humankind's efforts in this world, the phrase ...
While most of the symbols used in vanitas paintings refer to earthly existence (books, scientific instruments, etc.) and pleasures (pipes and other smoking utensils) or the transience of life and death (skulls, soap bubbles, empty shells), some of the symbols carry a double meaning: a rose or an oar of grain refers as much to the brevity of ...
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
Allegorical interpretation of the Bible is an interpretive method that assumes that the Bible has various levels of meaning and tends to focus on the spiritual sense, which includes the allegorical sense, the moral (or tropological) sense, and the anagogical sense, as opposed to the literal sense.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The medieval Catholic philosopher Thomas Aquinas explained that these virtues are called theological virtues "first, because their object is God, inasmuch as they direct us aright to God: secondly, because they are infused in us by God alone: thirdly, because these virtues are not made known to us, save by Divine revelation, contained in Holy ...