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Section of the earliest extant complete manuscript of the Kokinshū (Gen'ei edition, National Treasure); early twelfth century; at the Tokyo National Museum The Kokin Wakashū (古今和歌集, "Collection of Japanese Poems of Ancient and Modern Times"), commonly abbreviated as Kokinshū (古今集), is an early anthology of the waka form of Japanese poetry, dating from the Heian period.
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
The Kokin Wakashū is an early (c. 900) anthology of waka poetry which fixed the form of Japanese poetry. [1] Waka (和歌, "Japanese poem") is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is ...
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The Man'yōshū is an anthology of Japanese waka poetry. It was compiled in the eighth century (during Japan's Nara period), likely in a number of stages by several people, [1] with the final touches likely being made by Ōtomo no Yakamochi, [1] the poet whose work is most prominently featured in the anthology. [2]
The Shin Kokin Wakashū (新古今和歌集, "New Collection of Poems Ancient and Modern"), also known in abbreviated form as the Shin Kokinshū (新古今集) or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the Kokin Wakashū circa 905 and ending with the Shinshokukokin Wakashū circa 1439.
William N. Porter, A Hundred Verses from Old Japan (1909) Tom Galt, The Little Treasury of One Hundred People, One Poem Each (1982) Joshua S. Mostow, Pictures of the Heart: The Hyakunin Isshu in Word and Image (1996) Peter MacMillan, One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse (2008; Penguin Classics, revised ...
The Mother of Michitsuna was known for her skill in waka, classical thirty-one-syllable poems, as indicated by the inclusion of some of her poems in Fujiwara no Teika's anthology Ogura Hyakunin Isshu (or One Hundred Poets, One Hundred Poems, c. 1235) and in the third imperial waka anthology Shūi Wakashū. With her expertise on waka, Michitsuna ...