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The thirteenth government of Israel was formed by Levi Eshkol on 12 January 1966, [1] following the November 1965 elections.His coalition included the Alignment (an alliance of Mapai and Ahdut HaAvoda), the National Religious Party, Mapam, the Independent Liberals, Poalei Agudat Yisrael, Progress and Development and Cooperation and Brotherhood, and had eighteen ministers.
List of Israeli films of 1967. Add languages. Add links. ... Download QR code; ... Cinema of Israel; Lists of Israeli films; 1940s; 1948 1949: 1950s; 1950 1951 1955 ...
The Israeli films during the 1960s dealt with the misunderstanding between the Jews that came from the Middle East, and the Jews that came from Europe. One of these films was Fortuna (פורטונה) which was directed by Menahem Golan; however, it didn't fully utilize the conflict yet and still continued to have plot lines and characters which ...
The thirty-seventh government of Israel is the current cabinet of Israel, formed on 29 December 2022, following the Knesset election on 1 November 2022. [5] [6] The coalition government consists of seven parties — Likud, United Torah Judaism, Shas, Otzma Yehudit, Religious Zionist Party, New Hope and Noam — and is led by Benjamin Netanyahu, who has taken office as the Prime Minister of ...
The Cabinet of Israel (Hebrew: ממשלת ישראל, romanized: Memshelet Yisra'el; Arabic: مجلس وزراء إسرائيل, romanized: Majlis Wuzaraʾ Israʾil) is the cabinet which exercises executive authority in the State of Israel. It consists of ministers who are chosen and led by the prime minister.
Film Industry in Palestine during the British Mandate of Palestine and afterwards during the first years of the state, didn't actually exist. Movies were filmed in Palestine since the time of the beginning of the silent film era during the 19th century, but an actual movie industry was not really conceived, both in the period of the Yishuv, and also during the first years of the state.
Author Julie Gray notes, "Israeli film is certainly not new in Israel, but it is fast gaining attention in the U.S., which is a double-edged sword. American distributors feel that the small American audience interested in Israeli film, are squarely focused on the turbulent and troubled conflict that besets us daily." [15]
Filmmaker and author Alan Rosenthal claims that the film was very "pro-Zionist" and would show "the new Israel, the new spirit."[3] In December 1967, an Israeli reporter Haggai Eshed attended a private London screening of Saltzman's "film about Israel", noting that after the screening it was decided that some further changes should be made to the film.