Search results
Results from the WOW.Com Content Network
The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
"O sacrum convivium" is a Latin prose text honoring the Blessed Sacrament.It is included as an antiphon to the Magnificat in the vespers of the liturgical office on the feast of Corpus Christi.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
Hoffmann's German Magnificat in A minor was recorded: By soprano Magda László accompanied by five instrumentalists, c. 1958. [23] [24] In April 1965, by Micheline Tessier , with L'Ensemble instrumental de Arts-Québec conducted by Mireille Lagacé . [25] By Brigitte Ganady, with an instrumental ensemble conducted by Georges Aubert (1969).
Magnificat, a regular part in Catholic vesper services, was also used in the Lutheran church, in vespers and for Marian feasts. Schütz set the Magnificat text once in Latin and five times in German, Meine Seele erhebt den Herren (My soul magnifies the Lord), also called German Magnificat. Schütz composed them at different times for different ...
Pietro Torri's Magnificat in C major, a setting of the biblical Canticle of Mary, the Magnificat, for double choir and orchestra likely dates from the 1690s. The work is scored for two SATB choirs, two trumpets , bassoon , strings and basso continuo .
Le Magnificat ou Cantique de la Vierge pour toucher sur l'orgue suivant les huit tons de l'Église (1626) Duarte Lobo: c. 1565 1646 Magnificat primi, secundi, tertii, quarti, quinti, sexti, septimi & octavi toni Manuel Cardoso: 1566 1650 "Cantica Beatae Mariae Virginis" (1613) Christoph Demantius: 1567 1643
The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers.In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus ...