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Christ Light (Portuguese: Cristo Luz) is a monumental statue of Jesus Christ in the Brazilian municipality of Balneário Camboriú. Its design was inspired by the Christ the Redeemer statue in Rio de Janeiro, although Cristo Luz is five meters shorter (33 m tall). The statue portrays Jesus holding a circular broad-brimmed hat at his left shoulder.
Saint Francis Embracing Christ on the Cross or Allegory of Saint Francis' Renunciation of the Material World to Follow Jesus is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1668-1669, now held in the Museum of Fine Arts of Seville.
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
Christ Carrying the Cross has a linear under drawing, Saint Jerome has a free under drawing, and Death and the Miser has a crowded crosshatching under drawing. [10] However, he stresses that there are instances where methods of under drawing have changed across pieces that have been confirmed to have the same artist. [ 10 ]
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
Christ is holding a book in his left hand, presumably a Gospel Book. His right hand is raised in a blessing, [ 7 ] and it is Mary not he who looks directly out at the viewer. The folded together position of Mary's hands distinguishes this image as a version of the earlier type from before the development of the iconography of the Hodegetria ...
The Infant Jesus of Mechelen (French: l'Enfant Jésus de Malines) is an unadorned 16th-century wooden image depicting the Child Jesus holding a globus cruciger and imparting a blessing. It is now in the Louvre Museum in Paris, as a typical representative of a type of image produced in considerable numbers in 16th-century Mechelen (Malines, in ...
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque , raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [ 2 ]