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  2. Homophony - Wikipedia

    en.wikipedia.org/wiki/Homophony

    Homophony began by appearing in sacred music, replacing polyphony and monophony as the dominant form, but spread to secular music, for which it is one of the standard forms today. Composers known for their homophonic work during the Baroque period include Claudio Monteverdi, Antonio Vivaldi, George Frideric Handel, and Johann Sebastian Bach.

  3. Heterophony - Wikipedia

    en.wikipedia.org/wiki/Heterophony

    In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...

  4. Mazurkas, Op. 17 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Mazurkas,_Op._17_(Chopin)

    Mazurkas, Op. 17 is a set of four mazurkas for solo piano by Frédéric Chopin, composed in 1832–1833 and published in 1834. The set was dedicated to Lina Freppa. The set was dedicated to Lina Freppa.

  5. Traditional sub-Saharan African harmony - Wikipedia

    en.wikipedia.org/wiki/Traditional_sub-Saharan...

    Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).

  6. Texture (music) - Wikipedia

    en.wikipedia.org/wiki/Texture_(music)

    Many classical pieces feature different kinds of texture within a short space of time. An example is the Scherzo from Schubert’s piano sonata in B major, D575. The first four bars are monophonic, with both hands performing the same melody an octave apart: Schubert Sonata in B scherzo bars 1–4 Schubert Piano Sonata in B major scherzo bars 1–4

  7. Homorhythm - Wikipedia

    en.wikipedia.org/wiki/Homorhythm

    Introduction to Sousa's "Washington Post March", m. 1-7 Play ⓘ features octave doubling [1] and a homorhythmic texture. In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts" [2] or "very similar rhythm" as would be used in simple hymn or chorale settings. [3] Homorhythm is a condition of homophony. [2]

  8. Dynamics (music) - Wikipedia

    en.wikipedia.org/wiki/Dynamics_(music)

    In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.

  9. Unison - Wikipedia

    en.wikipedia.org/wiki/Unison

    Play ⓘ piano. Several singers singing a melody together. [2] In orchestral music unison can mean the simultaneous playing of a note (or a series of notes constituting a melody) by different instruments, either at the same pitch; or in a different octave, for example, cello and double bass (all'unisono). Typically a section string player plays ...

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