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A player chooses a song, a video will start to play in the background, and the gear screen will display falling notes. As the notes cross the line in the gear, player must hit the corresponding button, to score points. The objective of the game is to earn a high score and ranks in order to unlock more items such as avatars, songs, gears and more.
The music for Flower was created by Vincent Diamante, a video game music composer and professor at the University of Southern California's Interactive Media Division. [22] He had previously scored the music for Chen's first game Cloud (2005), and Dyadin (2005), when he and Chen were both at the University of Southern California. He worked ...
The song was written, composed, and produced by Utada, Skrillex, and Jason "Poo Bear" Boyd. Written in the same key as Utada's single "Sanctuary" (2006) and the song "Dearly Beloved" from the Kingdom Hearts video game series, "Face My Fears" is an electronic dance number with elements of future bass, featuring varying tempos and structure ...
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The song is a playable track in the 2009 video game Band Hero, [9] and is also included as a downloadable song in 2008's Rock Band 2, [10] as well as part of the No Doubt Track Pack for Guitar Hero III. [11] The song has been sampled by multiple hip hop artists, including in Rakim's song "Dedicated" [12] and Ice Cube's "War & Peace". [13]
The developers sought to evoke in the player a sense of smallness and wonder and to forge an emotional connection between them and the anonymous players they meet along the way. The music, composed by Austin Wintory, dynamically responds to the player's actions, building a single theme to represent the game's emotional arc throughout the story.
The Covey remix in "The Greatest Video Game Music 2" album was considered a weaker song in said album, with fellow Video Game Music Online Jon Hammond finding the instrumental aspects nice, but feeling that Covey sounded like she was trying too hard to sing well, sacrificing the song's humor. [29] Video Game Music Online critic Oliver Jia felt ...
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