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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The Minimalism is an avantgardist artistic, dramatic and literary movement in the late 1960s and '70s U.S. emerged, is characterized by an economy with words and a focus on surface description. The poets who identified with it are Samuel Beckett , Grace Paley , Raymond Carver , Robert Grenier , Aram Saroyan , and Jon Fosse .
Aleister Crowley (/ ˈ æ l ɪ s t ər ˈ k r oʊ l i / AL-ist-ər KROH-lee; born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) was an English occultist, ceremonial magician, poet, novelist, mountaineer, and painter.
Aleister Crowley (12 October 1875 – 1 December 1947) was an English writer, not only on the topic of Thelema and magick, but also on philosophy, politics, and culture.He was a published poet and playwright and left behind many personal letters and daily journal entries.
The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton. Essential Literary Terms: A Brief Norton Guide with Exercises. W. W. Norton, 2006. ISBN 0-393-92837-3.
Thelema (/ θ ə ˈ l iː m ə /) is a Western esoteric and occult social or spiritual philosophy [1] and a new religious movement founded in the early 1900s by Aleister Crowley (1875–1947), an English writer, mystic, occultist, and ceremonial magician. [2]
Alemannisch; العربية; Արեւմտահայերէն; অসমীয়া; Azərbaycanca; বাংলা; Башҡортса; Беларуская ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...