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Hip hop music, developed in the South Bronx in the early 1970s, has long been tied to social injustice in the United States, particularly that of the African American experience. Hip hop artists have spoken out in their lyrics against perceived social injustices such as police brutality, poverty, mass incarceration, and the war on drugs.
Progressive rap music is defined by its critical themes around societal concerns such as structural inequalities and political responsibility. According to Lincoln University professor and author Emery Petchaur, artists in the genre frequently analyze "structural, systematic, and reproduced" sources of oppression and inequality in the world, [3] while Anthony B. Pinn of Rice University ...
Chuck Philips, Los Angeles Times, 1992 Gangsta rap is a subgenre of hip hop that reflects the violent lifestyles of inner-city American black youths. Gangsta is a non-rhotic pronunciation of the word gangster. The genre was pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A. In 1985 Schoolly D released "P ...
Hip hop or hip-hop is a culture and art movement that was created by African Americans, [1] [2] and Caribbean Americans [3] starting in the Bronx, New York City. [a] Pioneered from Black and Caribbean American street culture, [5] [6] that had been around for years prior to its more mainstream discovery. [7]
Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt. The documentary explores the issues of masculinity, violence, homophobia, and sexism in hip hop music and culture, through interviews with artists, academics, and fans. Hurt's activism in gender issues and his love of hip-hop caused him to ...
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As the most sampled artist in rap history, Brown laid the break beat foundation for hip-hop. Even in ’74, when critics questioned whether the Godfather of Soul still had it, he delivered the ...
Hipster racism is engaging in behaviors typically regarded as racist and defending them as being performed ironically or satirically.Rachel Dubrofsky and Megan W. Wood have described it as being supposedly "too hip and self-aware to actually mean the racist stuff one expresses". [1]