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Minor second. A semitone, also called a minor second, half step, or a half tone, [3] is the smallest musical interval commonly used in Western tonal music, [4] and it is considered the most dissonant [5] when sounded harmonically.
Two common tones, two note moves by half step motion. Irregular resolution through augmented sixth equivalence Play ⓘ. [1] One common tone, three notes move by half step motion. In music, an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than the tonic.
I-vi-ii-V turnaround in G [1] Play ⓘ. I-vi-ii-V turnaround with approach chords in G Play ⓘ. I-vi-ii-V turnaround in F Play ⓘ. Approach chords in F Play ⓘ. [2]In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for ...
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
Here is The Courier Journal’s ranking of the top 30 high school boys basketball players in Kentucky, based on a statewide vote of coaches. A total of 96 coaches returned ballots. First-place ...
A Phrygian half cadence is a half cadence iv 6 –V in minor, so named because the semitonal motion in the bass (sixth degree to fifth degree) resembles the half-step heard in the ii–I of the 15th-century cadence in the Phrygian mode.
Here are seven stories to watch as the high school boys basketball season begins, including hopes of repeat success for Mogadore and Ravenna. 7 things to know about Portage boys hoops: Mogadore ...
Jazz pianist Barry Harris explained that bebop musicians would play a descending dominant seventh scale with an added half-step to keep all the chord tones on the beat. For example, for the chords "Dm7 ♭ 5 G7 ♭ 9, play down the B♭7 scale from its seventh to B" (B being the added half-step "bebop note" and third of the G7 ♭ 9 chord).
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