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Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
[1] [2] The poem has been referred to as "a short sequel" to "The Old Cumberland Beggar", and Wordsworth himself regarded it as "an overflowing" of it. [3] [4] The form of the poem has been described as "a sonnet-like poem in two acts". [5] It consists of one stanza written in blank verse. [6] The poem describes an old man and the journey he is on.
The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. The poem is pastoral, and at times erotic, comic and tragic. It contains discourses on the nature of love, and observations of nature.
His "Tintern Abbey", for example, says "Nature never did betray / The heart that loved her". [8] His poetry also carries the idea that nature is a kind thing, living in peaceful co-existence with man. He says in the same poem, referring to nature, that "all which we behold / is full of blessings."
The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.
Because of this quality, and because of the striking effectiveness of their imagery, these poems can be said to be the true harbingers of Coleridge's greatest poems". [76] Others agree on the strength of Frost at Midnight. Richard Holmes wrote in 1989 that the poem "is one of the most intricately structured of all the Conversation Poems". [77]
The best love poems offer respite and revivify; they remind me that I, too, love being alive. Soon the lilacs will bloom, but so briefly. Even more reason to seek them out and breathe in deep.
Both poems explore power, sexual love, and nature but from slightly different stances. While "Hortus" stresses the opposition between sexual love and the love of nature by suggesting that nature tames love, “The Garden” deems sexual love as a threat to nature and the contemplative life sought in the Garden. [35]