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It is vital not only to imagine space but also to follow the narration, the description, and the course of action, since all those may shape the fictitious reality by imposing the additional meanings on it. [7] Literary/cultural conventions constitute the second space-modelling code. This system is more abstract one than the previous one.
In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse. The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature.
In ethnography, a contact zone is a conceptual space where different cultures interact.. In a 1991 keynote address to the Modern Language Association titled "Arts of the Contact Zone", Mary Louise Pratt introduced the concept, saying "I use this term to refer to social spaces where cultures meet, clash and grapple with each other, often in contexts of highly asymmetrical relations of power ...
Inscape and instress are complementary and enigmatic concepts about individuality and uniqueness derived by the poet Gerard Manley Hopkins from the ideas of the medieval philosopher Duns Scotus. [1]
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
Some writers took the fourth dimension to be one of time, which is consistent with the physical principle that space and time are fused into a single continuum known as spacetime. Others preferred to think of the fourth dimension in spatial terms, and some associated the new mathematics with wider changes in modern culture.
A literary movement called the language poets formed as a reaction against confessional poetry and took as their starting point the early modernist poetry composed by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Despite this, Language poetry has been called an example of postmodernism in American poetry.
According to Andrew Escobedo, "literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative." [28] He dates "the rise and fall of its [personification's] literary popularity" to "roughly, between the fifth and seventeenth centuries". [29]