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The Vermilion Bird on the gates of a Han dynasty mausoleum complex. The Vermilion Bird is elegant and noble in both appearance and behavior, with feathers in many different hues of vermilion. It is very selective about what it eats and where it perches. [citation needed] Han dynasty decorative bronze cup in the shape of zhuque, from Tomb of Dou ...
The Azure Dragon of the East represents Wood, the Vermilion Bird of the South represents Fire, the White Tiger of the West represents Metal, and the Black Tortoise (or Black Warrior) of the North represents Water. In this system, the fifth principle Earth is represented by the Yellow Dragon of the Center. [8]
The Vermilion Bird of the South symbolically represents the cardinal direction south. It is red and associated with the wu xing "element" fire. The Jingwei bird represents determination and persistence, even in the face of seemingly over-whelming odds. Some birds may function as totems or representative symbols of clans or other social groups.
Phoenix depicted at the Longshan temple, Taiwan. The Four Holy Beasts differs from Four Symbols in that Qilin replaces the White Tiger.The Four Symbols are the Azure Dragon (青龍) in the East, White Tiger (白虎) in the West, Vermilion Bird (朱雀) in the South, and the Black Tortoise (玄武) in the North.
Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history.
Cinnamon bird – greek myth of an arabian bird that builds nests out of cinnamon; Devil Bird (Sri Lankan) – shrieks predicting death; Gagana – a miraculous bird with an iron beak and copper claws; Gandabherunda – two-headed magical bird; Gamayun – prophetic bird with woman's head
Bangun Bangun (Suludnon mythology): the deity of universal time who regulates cosmic movements [2]; Patag'aes (Suludnon mythology): awaits until midnight then enters the house to have a conversation with the living infant; if he discovers someone is eavesdropping, he will choke the child to death; their conversation creates the fate of the child, on how long the child wants to live and how the ...
This list also reflects the intensification of god-making (zao shen, 造神) during the Yuan-Ming period. [8] Legend has it that the ruins of the Platform of Gods (fengshentai, 封神台), where Jiang Ziya appointed the gods, are located near Shandi Village in Huangdui Township, Fufeng County, Baoji City, Shaanxi Province.