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His 1915 film The Birth of a Nation contains textbook examples of cross-cutting and firmly established it as a staple of film editing. Mrinal Sen has used cross-cutting effectively in his agit-prop film Interview, which achieved significant commercial success. Christopher Nolan uses cross-cutting extensively in films such as Interstellar, The ...
On the basis of this, Porter was hailed as an innovative editor. However, subsequent research by the paper print project at the Library of Congress suggested that the cross-cut version was re-edited at some unspecified time after the film's 1903 release, and that in its original form it used few, if any, of the pioneering edits claimed. As ...
The one-reel film, with a running time of twelve minutes, was assembled in twenty separate shots, along with a startling close-up of a bandit firing at the camera. It used as many as ten different indoor and outdoor locations and was groundbreaking in its use of "cross-cutting" in film editing to show simultaneous action in different places. No ...
Intercutting (cross-cutting) between still tableaux of the poor in the bread line and the lavish, active parties of the wealthy speculator somewhat anticipates the collision montage which became a hallmark of the politically charged Soviet cinema a decade or so later.
After 1914, cross cutting between parallel actions came to be used – more so in American films than in European ones. Cross-cutting was used to get new effects of contrast, such as the cross-cut sequence in Cecil B. DeMille's The Whispering Chorus (1918), in which a supposedly dead husband is having a liaison with a Chinese prostitute in an ...
Three decades after making “Forrest Gump,” director Robert Zemeckis is once again looking back in time and pushing filmmaking boundaries as he reteams with Tom Hanks and Robin Wright for his ...
Cut An editorial transition signified by the immediate replacement of one shot with another. Cross-cutting Cutting between different events occurring simultaneously in different locations. Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions.
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