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This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
DJs often beatmatch the underlying tempos of recordings, rather than their strict bpm value suggested by the kick drum, particularly when dealing with high tempo tracks. A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute.
A metronome (from Ancient Greek μέτρον (métron) 'measure' and νόμος (nómos) 'law') is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light.
Cielo e Terra is an album by jazz guitarist Al Di Meola that was released in 1985. Airto Moreira plays all percussion on "Traces (of a Tear)", "Cielo e Terra", ...
The name of the band (literally, "Song of the Damned in Neverland") is a double homage: to the book Canto dos Malditos, by Austregésilo Carrano Bueno (which inspired the film Bicho de Sete Cabeças); and to Neverland (Portuguese: A Terra do Nunca) of Peter Pan (by Scottish author J. M. Barrie), an imaginary world where reality and fantasy combine.
1981 «Pelo toque da viola» O rapaz do casaquito (Minho) Pelo toque da viola (Baixo Alentejo) Chula rabela (Alto Douro) Olha o passarinho! (Baixo Alentejo) Gallandum (Trás-os-Montes) Triste malhão (Beira Alta) Que queres te eu traga? (Açores) Vá de binga (Beira Baixa) Sete varas tem (Trás-os-Montes) Pêras e pão (Beira Alta) Mariana ...
"Entre dos Aguas" is an instrumental flamenco rumba created by the Spanish guitarist Paco de Lucía, included as the first single on the album Fuente y caudal (1973). [1] It was recorded with two guitars (the second played by his brother Ramón de Algeciras ), with a bass and a bongo played by Pepe Ébano instead of the traditional palmas ...
E da quel dì tremante, Vissi d'ignoto amor. Di quell'amor, quell'amor ch'è palpito Dell'universo, Dell'universo intero, Misterioso, Misterioso altero, Croce, croce e delizia, Croce e delizia, delizia al cor. Violetta Ah, se ciò è ver, fuggitemi, Solo amistade io v'offro: Amar non so, nè soffro Un così eroico amor. Io sono franca, ingenua;