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E da quel dì tremante, Vissi d'ignoto amor. Di quell'amor, quell'amor ch'è palpito Dell'universo, Dell'universo intero, Misterioso, Misterioso altero, Croce, croce e delizia, Croce e delizia, delizia al cor. Violetta Ah, se ciò è ver, fuggitemi, Solo amistade io v'offro: Amar non so, nè soffro Un così eroico amor. Io sono franca, ingenua;
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Cielo e Terra is an album by jazz guitarist Al Di Meola that was released in 1985. Airto Moreira plays all percussion on "Traces (of a Tear)", "Cielo e Terra", ...
DJs often beatmatch the underlying tempos of recordings, rather than their strict bpm value suggested by the kick drum, particularly when dealing with high tempo tracks. A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute.
"Teresa & Maria" (Ukrainian: Тереза і Марія, romanized: Tereza i Mariia, pronounced [teˈrɛzɐ i mɐˈr⁽ʲ⁾ijɐ]) is a song by Ukrainian rapper Alyona Alyona and Ukrainian singer Jerry Heil.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
A metronome (from Ancient Greek μέτρον (métron) 'measure' and νόμος (nómos) 'law') is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light.
"María" is a song recorded by Puerto Rican singer Ricky Martin for his third studio album, A Medio Vivir (1995). The song was written by Ian Blake, Luis Gómez Escolar, and KC Porter, while the production was handled by Porter, Tom Vickers, and Steve Berkowitz.