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The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.
Original - The 180° rule is a basic guideline in film making that states that two characters (or other elements) in the same scene should always have the same left/right relationship to each other. If the camera passes over the imaginary axis connecting the two subjects, it is called crossing the line.
A Turing degree is an equivalence class of the relation ≡ T. The notation [X] denotes the equivalence class containing a set X. The entire collection of Turing degrees is denoted . The Turing degrees have a partial order ≤ defined so that [X] ≤ [Y] if and only if X ≤ T Y. There is a unique Turing degree containing all the computable ...
By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. [1] 30-degree rule
[49] [50] There, Turing studied the undergraduate course in Schedule B (that is, a three-year Parts I and II, of the Mathematical Tripos, with extra courses at the end of the third year, as Part III only emerged as a separate degree in 1934) from February 1931 to November 1934 at King's College, Cambridge, where he was awarded first-class ...
First being that "Problems caused" infers that the 180 degree rule causes problems, when the content of the section is about how it solves problems. Secondly, the first line "The 180 degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is important in the narration of ...
Omnidirectional (360-degree cameras) can capture spherical 360° 180° panoramic photos or videos. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...