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Western jazz combined with strong elements of world music is more accurately termed world fusion jazz, [19] ethnic jazz or non-Western jazz. World fusion and global fusion are nearly synonymous with the genre term worldbeat , and though these are considered subgenres of popular music , they may also imply universal expressions of the more ...
For instance, Alan Merriam, in a 1960 article, defines ethnomusicology not as the study of non-Western music, but as the study of music in culture. [8] In doing so he discards some of the 'external' focus proposed by the earlier (and contemporary) ethnomusicologists, who regarded non-Western music as more relevant to the attention of scholars.
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Music written for and by the early Christian Church properly inaugurates the Western classical music tradition, [1] which continues into medieval music where polyphony, staff notation and nascent forms of many modern instruments developed. In addition to religion or the lack thereof, a society's music is influenced by all other aspects of its ...
The first studies of Western musical history date back to the middle of the 18th century. G.B. Martini published a three volume history titled Storia della musica [2] (History of Music) between 1757 and 1781. Martin Gerbert published a two volume history of sacred music titled De cantu de musica sacra [3] in 1774.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
To these critics, "world music" is a parochial, catch-all marketing term for non-Western music of all genres. In October 1999 , Luaka Bop label founder and ex- Talking Heads frontman David Byrne wrote an " I Hate World Music " editorial in The New York Times explaining his objections to the term.