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  2. Mode of limited transposition - Wikipedia

    en.wikipedia.org/wiki/Mode_of_limited_transposition

    Starting on any degree of the mode gives the same sequence of intervals, and therefore the whole tone scale has only 1 mode. Messiaen's mode 2, or the diminished scale, consists of semitone, tone, semitone, tone, semitone, tone, semitone, tone, which can only be arranged 2 ways, starting with either a tone or a semitone. Therefore, mode 2 has ...

  3. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [ 1 ] or the Aeolian ♭ 5 scale , names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Half diminished scale on C. Play ... whole tone: diminished — Lydian diminished scale: Lydian diminished on C. 1 2 ...

  5. Octatonic scale - Wikipedia

    en.wikipedia.org/wiki/Octatonic_scale

    These modes are sometimes referred to as the whole step/half-step diminished scale and the half-step/whole step diminished scale, respectively. [10] Each of the three distinct scales can form differently named scales with the same sequence of tones by starting at a different point in the scale.

  6. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    The distinctive scale degree here is the diminished fifth (d5). This makes the tonic triad diminished, so this mode is the only one in which the chords built on the tonic and dominant scale degrees have their roots separated by a diminished, rather than perfect, fifth. Similarly the tonic seventh chord is half-diminished. Tonic triad: Bdim or B°

  7. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    In dominant function, the VII half diminished chord, like its fully diminished counterpart, can take the place of the dominant V chord at a point of cadential motion. This chord, sometimes called a leading-tone diminished seventh chord , is represented by the Roman numeral notation vii ø 7 , the root of which is the leading-tone to the tonic ...

  8. Template:Music - Wikipedia

    en.wikipedia.org/wiki/Template:Music

    This template is used on approximately 7,900 pages and changes may be widely noticed. Test changes in the template's /sandbox or /testcases subpages, or in your own user subpage . Consider discussing changes on the talk page before implementing them.

  9. Altered scale - Wikipedia

    en.wikipedia.org/wiki/Altered_scale

    The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. The natural forms of the non-essential tones are absent in the scale, thus it lacks a major ninth, a ...